As I prepare to film a short drama film called Hard Earth, I return back to a previous rare outing in this genre. I can now register the achievement of that 2011 film and see a future teeming with collaborative potential. It's nice to work outside the experimental art genre that informs the bulk of my film output; although my last film, which was also my first feature, a documentary about Lancaster West estate, has been withdraw from circulation after the tragic fire at Grenfell.
It was 2010 and I met the actress Gwendolyn White on an arts project called Water Works. We became good friends and decided to make a film based on a story she told me about her mother.
I also set myself a challenge to tell a story in 1 minute. Almost haiku in tone, we have no dialogue or exposition in this documentary drama. The hand powering of a Singer sowing machine unlocks a matriarchal memory of love and a sense of cultural identity born out of an old slave song that became a gospel classic.
Screened at the In Short Festival, Lexi Cinema, Portobello Film Festival and Walthamstow Short Film Festival, 2011.